Charles Samuel Bovy-Lysberg

Charles Samuel Bovy-Lysberg was a Swiss pianist and composer.

Adapted from the Wikipedia article on Charles Samuel Bovy-Lysberg.

From the period sources

Charles Samuel Bovy-Lysberg, originally named Bovy, adopted the pseudonym ‘Bovy-Lysberg’ from his birthplace in Canton Bern, a name he used particularly in his capacity as a writer of brilliant piano pieces, according to Grove’s Dictionary of Music and Musicians (1906). His father, Antoine Bovy, a noted stamp-engraver, ensured his son received a strong musical education before sending him to Paris at age fifteen. There, Bovy-Lysberg became a pupil of Chopin and studied composition under Belaire.

He later returned to his native country, becoming a professor at the Conservatoire in Geneva. Both Grove’s (1906) and The New Encyclopedia of Music and Musicians (1924) highlight his success as a composer of “morceaux de salon” and “showy piano-music.” His prolific output included over 130 compositions, such as barcaroles, nocturnes, caprices, waltzes, concert-etudes, and operatic paraphrases, alongside a romantic sonata titled ‘L’absence’. His opera, ‘La fille du Carillonneur’, was produced with “tolerable success” in Geneva in 1854, but, as Grove’s (1906) notes, it never achieved a stage performance elsewhere.