Iberia › chapter I
Play the room · Sixteenth-century Spain
The art of diferencias
A miniature recital drawn from the chapter's actual holdings. It is a route through the room, not a ranking: open the scores in order, or take the metadata sheet into forScore and rearrange it at the instrument.
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Opening
Tiento sexto tono, Henestrosa f.31v
Antonio de Cabezón · 1510–1566
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Second panel
Tiento primer tono, Henestrosa f.22
Antonio de Cabezón · 1510–1566
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Centre piece
Tiento del primer tono, Henestrosa f.11v
Antonio de Cabezón · 1510–1566
The programme uses one verified standalone score per selected work. Ensemble keyboard parts are excluded. The selection stays stable between builds so saved programmes do not silently change.